MICSCAPE Exploring the miniature world Issue 131: September 2006.
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right: 'A Zeiss Jug-handle stand as the one likely used by Professor Alzheimer for his 1906 study on the disease that now carries his name.' |
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Micscape Contacts Micscape submission guidelines. Microscopy-UK
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Remembering Alzheimer: the man, the disease and the microscope - one hundred years later - Manuel del Cerro (Canada) and Lazaros C. Triarhou (Greece) celebrate aspects of this famous scientist's work. The LOMO Biolam microscope - Ian Walker (UK) presents an extensive illustrated overview of this popular stand tracing its development, pros and cons, and discusses his favourite optics, accessories and variants in the range. A gallery of benzoic acid photomicrographs - Brian Johnston (Canada) shows the attractive images from this chemical using phase contrast illumination. A gun mount for nature photomacrography - Ted Clarke (USA) describes a home made camera support he has made for his Olympus E330 DSLR with some examples of the images taken. Nigrosin: a different kind of staining technique - Richard Howey (UA) discusses and illustrates the versatility of this stain for air dried protozoa. The fly in the ointment. An Achilles heel in Köhler illumination? - Paul James (UK) shares 'a personal exploration into the most commonly installed microscope illumination system'. Petals of a black-eyed susan - Richard Haynes (USA) presents a microscopical exploration of this flower in search of the pigment cells. While it is still raining - Halit Umar (Netherlands) shares an illustrated essay reflecting on the progress of flower development in his garden. A close-up view of two 'passion flowers' - Brian Johnston (Canada) explores the macroscopic and microscopic potential of this well known and attractive flower. An early evening front yard encounter - Richard Howey (USA) uses the opportunity of a porcupine visit to study its quills. 'Polar animals' - photomicrographs of subjects from the animal kingdom under polarised light - David Walker (UK) shares a selection of images of Victorian slides taken using a Nikon D50 digital SLR camera and Zeiss optics.
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